RUA FESTIVAL
Rua Festival
Concept and Idealization - Anouk Piket
Film Director - Gustavo Amaral
Um dos melhores eventos que já participei.
15.7.11
2.7.11
Agora em Porto Alegre no Tutti Giorni.
Lançamento do livro "Tenho Pena de Você" de Thais Ueda e Alex Hornest.
Alex Hornest e Thais Ueda convidam para mostra dos desenhos originais e noite de autógrafos do livro "Tenho Pena de Você".
Dia 5 de Julho de 2012, Terça-Feira, a partir das 19h30.
Serviço:
Título: Tenho pena de você
Autores: Alex Hornest e Thais Ueda
Páginas: 104 (capa dura)
Papel: Alta Alvura
Editora: Item72 for Collectors
Impresso no Brasil 2010
ISBN 978-85-910945-0-9
Tiragem: 1.000 exemplares
Local: Tutti Giorni
Av. Borges de Medeiros, 788.
Altos do Viaduto, Esq. Duque de Caxias.
Porto Alegre - RS
grafartutti@gmail.com
20.6.11
Next: A Primer on Urban Painting
NEXT: A PRIMER ON URBAN PAINTING is a documentary exploration of graffiti-based visual art as a world culture. The filmmaker profiles the art form in nine countries including USA, Canada, France, Holland, Germany, England, Spain, Japan and Brazil. A combination of verite moments and interviews with painters, "writers", designers, documentarians and other participants within the subculture, the film conveys the dynamism and creative brilliance of this important emerging artistic movement.
Directed, Produced and Written by Pablo Aravena
Canada, English, 2005, 95 min.
Muito antes de toda essa onda houve um diretor visionário que percebeu o que estava acontecendo em matéria de arte urbana e se lançou pelo Mundo com a intenção de documentar aquele momento.
Anish Kapoor's first exhibition in India.
Maket
Anish Kapoor's first ever exhibition in India was never going to be small. The Mumbai-born artist and the Lisson Gallery spent 10 years searching for a venue capable of housing his monumental sculptures, without success. Finally, in a typically ambitious move, they decided to take on two - the National Gallery of Modern Art in New Delhi and the Mehboob Film Studios in Mumbai. With each simultaneously focusing on a different strand of his colourful output, the exhibition features everything from his early pigment pieces to new works fresh from his London studio, round which he recently took Wallpaper* on a tour.
'I believe that to make new art, you need to make new space,' he says of his Mirror series, to which he's added two new works, on show in Delhi and Mumbai. 'These works speak about the area in front of them,' he explains.
The artist has long played with concave, negative forms, which draw the viewer into the sculpture, often to mind-bending effect. 'Much art is very static but Anish, with great persistence, explores the idea where the work does not just look back at you but allows you to see yourself in a new perceptual context,' says Lisson Gallery founder, Nicholas Logsdail.
Of course, Kapoor's work also confronts notions of space simply with its audacious scale - from those vast Cor-Ten steel creations to his wax series, which dominated his recent show at London's Royal Academy (the most successful show of a living artist ever held in the city). One of that exhibition's must staggering pieces - 'Shooting into the corner', comprising a canon firing blood-red wax - has been shipped over to Mumbai's Mehboob Film Studios, joined by a new wax piece, titled 'Stack'.
Over in Delhi, the National Gallery of Modern Art had to expand the entrance to its new wing to get some of Kapoor's epic sculptures inside, including his stainless steel 'S-Curve'. It is also playing host to some of his smaller, seminal pigment pieces from the 1980s, which reference piles of powdered pigment found in Indian markets. 'They were an astonishingly innovative outpouring of sculptural ideas that remain a touchstone for his work today,' says Andrea Rose, the shows co-curator and the director of Visual Art at the British Council, which is mounting the exhibition alongside the Lisson Gallery, with sponsorship from Louis Vuitton.
The Turner Prize-winning artist (1991) grew up in Mumbai but moved to London in the early 1970s, so this exhibition is something of a homecoming for Kapoor. 'I'm slightly afraid of it, to be perfectly honest,' he says. 'Not because I'm afraid of being judged, but there's something wonderfully mysterious about absence.' Although he has produced vast public sculptures all over the world - and work is just beginning on his ArcelorMittal Orbit tower at London's Olympic Park - he has only had one fleeting installation of outdoor work in India. But risk-taking and adventure has always been crucial to Kapoor's work, whether in terms of the scope of the project or the creative process involved. 'As artists, we need to not know what we're doing, otherwise we're always living in the rational world,' he says. 'We have to dare to go further.'
By Malaika Byng to www.wallpaper.com
Leviathan - P.V.C - 33,6 × 99,89 × 72,23 m - Anish Kapoor - 2011
Interview with the artist Anish Kapoor by Bloomberg
O que me fascina na obra de Anish Kapoor não são as proporções e sim o diálogo com o espaço.
13.6.11
OFFF Barcelona 2011 _ Main Titles
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Mischa Rozema, Director, says:
“We knew we wanted to make something that would unsettle and menace the audience. It was always going to be dark but also highly aesthetic. This project has filled our spare hours for the past 6 months and it is incredibly satisfying to work on something that we were given complete creative freedom on – that’s a rare luxury these days.”
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
CREDITS
Directed by Mischa Rozema
Story by Mischa Rozema & Si Scott
Production Company: PostPanic
Executive Producers: Jules Tervoort, Ania Markham
DoP: Jiri Malek, Mischa Rozema
Music & Sound Design: Hecq
Senior Producer: Annejes van Liempd
Production Assistant: Jacinta Ramaker
Production Designer: Roland Mylanus
Editor: Mischa Rozema
Prague Cast:
Main Hero: Vladan Bláha
Grafitti Guy: Tom Malar
Main Hero Sister: Katerina Galova
Post-Production: PostPanic
CG Supervisor: Ivor Goldberg
VFX Supervisor: Chris Staves
3D Artists: Jeroen Aerts, Matthijs Joor, Jurriën Boogert, Marnix Reckman, Adam Janeczek
2D Artist: Erwin van den IJssel
3D Interns: Cara To, Xander Clerckx
2D Interns: Mathijs Luijten, Per Westholm
Compositing: Chris Staves, Ivor Goldberg, Adam Janeczek, Matthijs Joor
Graphic Designs: Si Scott
Additional Graffiti Elements: Florian Stumpe
Matte Painting: Wieger Poutsma
Additional 3D and Compositing: Storm PostProduction
Production (Prague) by Savage:
Executive Producer: Klara Kralickova, Pavla Burgetova Callegari
Producer: Michaela Berkova
Production Assistant: Vojta Ruzicka
Prop master: Jan Fiala
Location Scout & Management: Petr Bastar, Adam Fuchs
Location: CREVISTON, a.s.
Tattoos made by: Wowa tattoo prague
Acabou de sair do forno a abertura do OFFF Barcelona 2011.
Este recorte tem um pouco de tudo que a gente já viu e gosta dos filmes de ação/suspense/terror/ficção e vídeo clips de diretores revolucionários.
As aberturas estão melhores a cada ano.
Sou suspeito... Acompanho desde 2007.
Abuela Grillo
Abuela Grillo
Corto animado producido en The Animation Workshop en Viborg, Dinamarca, por The Animation Workshop, Nicobis, Escorzo, y la Comunidad de Animadores Bolivianos, el cual tiene el apoyo del Gobierno de Dinamarca.
Animado por 8 animadores bolivianos, dirigido por un francès, musica por la ambasadora de Bolivia en Francia, Luzmila Carpio, composida por un otro francès, un proyecto danès, ajuda de produccion por un mexicano y una allemana. Adaptado de un mito ayoreo.
Animated short-film produced in The Animation Workshop in Viborg, Denmark. By The Animation Workshop, Nicobis, Escorzo, and the Community of Bolivians Animators and is supported by the Danish Government. Animated by 8 bolivians animators, directed by a french, music by the bolivian embessador in France, Luzmila Carpio, composed by another french, a danish project, hepled for the production by a mexican and german. Adaptaded from mito ayoreo.
Gracias Bastardilla!
ARTAQ AWARDS 2011 - THE WINNERS
Hello to all,
Here are the results of the vote of the jury o the 2nd Artaq Awards. The level was very high and we thank all the artists for their participation.
Rendez-vous in Angers from 26 till 29 May 2010 for the Artaq festival in Angers ! >>> All details (30 th of march): www.artaq.eu
Bonjour à tous,
Voici les résultats des votes du jury des 2nd Artaq Awards. Le niveau a été très élevé et nous les remercions tous les artistes pour leur participation et leur enthousiasme.
Bravo à tous. Rendez-vous du 26 au 39 mai 2010 pour le festival Artaq à Angers ! >>> Tous les détails à partir du 30 mars 2011 : www.artaq.eu
Agora a Street Art possui premiação...
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