Encontro de graffiti na Pompéia _ São Paulo _ SP _ Brasil _ 2012
Produção: R.U.A + CI.TI.ADOS
Artistas:
Rafael Highraff, Derlon Almeida, Ramon Martins, Rimon Guimarães, Ninthe Kiemeneij, Cláudio Ethos,
Fefe Talavera, Ciro Schunemann, Onesto, Zezão, AndHOPE, Herbert Baglione e outros que colaram.
Participação especial: Fuzi Ueda Hornest
Video:
Gustavo Amaral
Valeu!! Foi loko!!
Nostalgia - 2013 _ spray paint and acrylic on cotton canvas _ 163x163cm
Claudio Ethos (Brazil)
Solo exhibition: Nostalgia
30 March – 27 April 2013
Opening night: Saturday 30 March 2013 | 6 – 8pm
Please join us and the artist, Claudio Ethos, to celebrate the opening of his solo
show on Saturday 30 March 2013 | 6 – 8pm. Drinks + Nibbles provided. RSVP by email
or phone by 23 March. Guest Speaker: Sandra Guy, Head Teacher Creative Industries,
North Coast TAFE. Live music by Joe Jeremiah. Claudio will be painting a Wall Mural at
the Sofitel Hotel Broadbeach as of the 11th of March.
Please check our Facebook page for more information.
Bio
Claudio Ethos lives and works in his birthplace of São Paulo, Brazil. He began putting in
work around the age of 15 with spray paint as well as ballpoint pen, which to this day
serve as his primary tools. Highly influenced by many of the usual suspects from the Brazilian
scene, Os Gemeos, Vitche, Onesto, and Herbert Baglione, Ethos’ style has taken its own
highly unique state and individual genesis. Many in São Paolo today still prefer the stencil
technique, or are part of large pixação crews with their own signatures, but Ethos has
absolutely carved out his own niche amongst the muralists. His large-scale outdoor murals
are less impulsive in origin than many of his contemporaries’ work, but no less stunning. His
flawless conversions of his ballpoint pen drawings, usually from 8.5” x 11” or smaller make
absolutely remarkable transitions from paper to concrete, almost as if an image has been
transferred by transparency and projector. While using a thread technique, amongst others,
the amount of detail with his outdoor portraiture has captured the attention of countless
art enthusiasts, his peers, and gallerists around the world. His penchant for replicating to
scale the fine details of his ink and pencil drawings onto large walls has become his lasting
signature. Ethos’ characters have undeniably become some of the most recognized all
throughout Brazil with his ephemeral work at times straddling the line of the figurative and
abstract. His elongated, flexible, and strained figures have an almost liquid quality to them;
one foot firmly in the school of the surrealists.
Artist’s Statement
Nostalgia is an exhibition about an abundant and melancholic atmosphere associated
with women in the early 20th century. In this new series of portraits Claudio Ethos submerges
himself in this by-gone era, exploring the notion of nostalgia. With a contemporary vision of
urban art, Ethos transports us to a universe of female sensibility; a place full of dreams, desires,
sensuality and some moments of madness. Throughout Claudio’s career he has followed
a trajectory of monochromatic paintings with touches of surrealism and melancholia.
The results are a study on the feminine world, whilst staying true to his urban and edgy
style. This show comes from years of experience of painting wall murals and research into
vintage photographs, resulting in a series of canvases created with delicate and meticulous
techniques, using spray paint and mixed media.
Nostalgia. A Solo Exhibition by Claudio Ethos. 30 March – 27 April 2013
19 KAREN Contemporary Artspace
19 Karen Avenue
Mermaid Beach, Q 4218 _ Australia
OPEN Tues - Sat 10am-5pm
w > www.19KAREN.com.au
e > info@19KAREN.com.au
p > 07 55545 019
More about the artist: Ethos
Photos: sowat and Thias
On August 12, 2010, Lek and Sowat found an abandoned supermarket in the north of Paris. For a year, in the greatest of secrets, both artists continuously wandered in this 430,000 sq ft monument to paint murals and organize an illegal artistic residency, inviting forty French graffiti artists to collaborate, from the first to the last generation of the graffiti movement. Together they built a Mausoleum, a temple dedicated to their disappearing underground culture, slowly being replaced by street art and its global pop aesthetics.
..............................
Caricaturas de Gilberto Gil realizadas em 2003 pelo pintor/escultor Alex Hornest. Estes trabalhos não fazem parte da mostra.
Sobre a exposição:
GIL70 _ 2012 é o ano em que Gilberto Gil completou 70 anos de vida e 50 de carreira. E, para homenageá-lo, o Itaú Cultural organizou a exposição GIL70.
A exposição, concebida e organizada pelo poeta e designer gráfico André Vallias e com a colaboração do pesquisador e ensaísta Frederico Coelho na curadoria, apresentando obras dos artistas Alex Hornest, Carlos Adriano, José Roberto Aguilar, Ricardo Aleixo, Arnaldo Antunes, Lenora de Barros, Vivian Caccuri, Adriana Calcanhotto, Augusto de Campos, Ivan Cardoso,Antonio Dias, Eduardo Denne, Bené Fonteles, Lula Buarque de Hollanda, Jarbas Jácome, Gabriel Kerhart, Raul Mourão, Carlos Nader, Antonio Peticov, Gualter Pupo, Omar Salomão, Daniel Scandurra, Ariane Stolfi, André Vallias, Caetano Veloso, Andrucha Waddington e Luiz Zerbini.
São ao todo 23 trabalhos apresentados em diferentes linguagens e suportes, como pintura, vídeo, fotografia, escultura e instalação, todos inspirados nas canções de Gil ou dedicados a ele. Vallias e Coelho comentam que GIL70 “convocou um conjunto eclético de artistas que entrelaçam gerações, linguagens, suportes e áreas de atuação da mesma forma que a obra de Gil entrelaça temas, ideias e sensibilidades”.
Além das obras, a exposição conta com uma grande linha do tempo, ilustrada com imagens, áudios e vídeos, que revelam um pouco da vida pessoal de Gil, e faz um contraponto com sua trajetória profissional acompanhada pelos acontecimentos importantes de cada momento histórico que refletem fortemente na obra do cantor baiano.
A exposição teve sua primeira montagem no Centro Cultural Correios, no Rio de Janeiro, e agora poderá ser visitada pelo público de Brasília. A mostra também conta com um site (www.gil70.com.br) que reúne materiais extras sobre Gilberto Gil, manifestos, artigos e depoimentos que revelam um pouco mais sobre a vida e obra do ex-ministro da Cultura.
Abertura: 12 de Março de 2013, as 19h
Local: Museu nacional do Conjunto Cultural da República _ Setor Cultural Sul, Lote 02 - Esplanada dos Ministérios - Brasília - DF
Informações: www.gil70.com
Visitação: De 13 de Março de 2013 a 28 de Abril de 2013 _ Terça a domingo, das 9h às 18h30m
Entrada franca _ Livre para todos os públicos
Directed By Jason Schmidt
DP Drew Reilly
Edited By Drew Reilly and Jason Schmidt
Executive Production by Vanity Fair Magazine
Incontestável como pessoa e artista.
Sempre pura inspiração.
Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well practiced penmanship.
The most reviled and persecuted form of Graffiti, the Tag, is seldom appreciated for the raw beauty of its skeletal letter forms. Most tags are removed immediately, and thus the casual viewer seldom has a chance to discern the difference between entry level and advanced hand styles.
Within the pages of Flip the Script, author Christian Acker has systematically analyzed the best graffiti hand styles, contextualizing the work of graffiti writers from around the United States. Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.
Flip The Script _ The Evolution of Graffiti hand Styles
224 pages, Hardcover, 7'' x 9'' (178 x 229 mm)
100s of 2 - color illustrations, English
ISBN: 978-1-58423-460-9 $ 29.95
About the Author:
Christian Acker received a BFA with honors in Communication Design from Parsons School of Design in New York City in May of 2002.
He founded Adnauseum, Inc in 2002, and Handselecta Type Foundry in 2003. Adnauseum is an NYC-based experimental design studio, whose work runs the gamut of Photographic to Typographic. He occasionally guest lectures typography and design classes at his Alma Mater, Parsons School of Design.
He is a member of both the AIGA and the Type Directors Club.
Website: www.handselecta.com
GRIFTERS CODE: Episode 1 - Peach ALTGR PAL _ Paris - FR
Font:
Gingko Press
The Grifters
Praqueles que gostam MUITO de tudo isso!!!
O "videozinho" acima é só pra ilustrar onde "toda essa maravilha" pode ser aplicada.
Essas coisas alegram o dia!!
Ni**as in Paris: VideoJacking (OFFICIAL)
The official video from a crew of masked graf heads release their take on the popular WATCH THE THRONE song, "Ni**as in Paris".
Font: The STARK LIFE
Me perguntam porque fazem isso. Acredito que seja só por pura diversão.
Sim, "alterar" o patrimônio público e privado para uns é muito divertido. São fases da vida...
Todos os dia muitas coisas acontecem. Boas e ruins.
Para alguns não ficarem loucos as vezes precisam extravasar de alguma forma. Formas que parece afirmar que já estão loucos.
Uns matam, outros roubam, outros batem nos indefesos... Tem louco pra tudo.
Essas formas me parecem de uma estúpides sem tamanho mas também não sou santo. Quem é?
Sou incapaz de de fazer mau a uma mosca mas confesso que simpatizo é muito com aqueles que "alteram propriedades alheias apenas pelo prazer".
Ainda mais quando se utilizam da arte como forma de vandalismo.
A trilha desse vídeo me intrigou.
Odeio Kanye West e Jay Z já foi bom, hoje é só business.
O clip original desta música é um lixo e a letra pior ainda mas não posso negar que ela deu um "climinha loko" pra essa ação.
Até a "dancinha" abaixo ficou mais loka que o clip original. As cordas parecem um pixo!
Kanye West, Jay Z — Ni**as In Paris ( Choreo by Alexander Tsarev and Alina Barilova )
Vamo pô todo mundo pra dançar!!
De um jeito ou de outro todo mundo dança em uma cidade do tamanho de São Paulo.
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