19.8.13

Jamel Shabazz _ Street Photographer



Trailer for Jamel Shabazz feature documentary by Wild Style director Charlie Ahearn.


Anybody who doesn’t appreciate the spirit captured in Jamel Shabazz’s photographs doesn’t get New York. In a city that increasingly seems to squander the homegrown cultures that have defined it, "Jamel Shabazz Street Photographer", Charlie Ahearn’s rough-and-ready, almost familial documentary, pays tribute to this pavement portraitist of the late-20th century.

Mr. Shabazz’s well-recognized contribution, though not his only one, is his visual record of the 1980s, when he immortalized urban style and attitudes “before rap made them large,” as the ubiquitous Fab 5 Freddy puts it here. The film follows Mr. Shabazz on his rounds and places his photos in front of rank-and-file old-schoolers who toss off oral histories about the people (and looks) in the images. The games of “where are they now?” can turn boisterous, and sad.

The son of a naval combat photographer, Mr. Shabazz, who has also worked as a corrections officer, receives respect as a chronicler of communities, especially African-American ones, including members of the Five Percent Nation. He is seen working with his subjects to stage photographs, and the resulting pictures gain strength from the proud presentational poses and smart styles. Mr. Shabazz, affable yet intent, is shown taking fresh shots of high school students as well as veterans and dancers in street parades that neatly symbolize the pageant of life.

Mr. Ahearn may be best known for the hip-hop and graffiti film “Wild Style,” but his latest is a little closer to his humbler video efforts (though not quite as gritty as “Doin’ Time in Times Square”). “Jamel Shabazz Street Photographer” could be slicker, but it does its part in sharing in its central figure’s project of recording the living history that surrounds us.

Font: NYTimes



Nossa querida Martha Cooper fez história fotografando graffiti nos anos 70,80...
Jamel Shabazz fez o mesmo fotografando pessoas.

sound designers

ANVIL FX


Paulo Beto / ANVIL FX, Brazil

O músico, compositor e produtor Paulo Beto trabalha com música eletrônica desde 1989. Com o projeto anvil FX, lançou 2 cds: Lo-Fi Genesis e Miolo. Várias apresentações no exterior, produção de remixes (Otto, Mawaca) e trilhas para cinema e TV fazem parte de sua vivência musical. Traz na bagagem participações em trabalhos distintos como Tributo a Zé do Caixão e Homenagem a Rogério Duprat e CDs de Trio Mocotó e Walter Franco. Pesquisador da música eletroacústica, possui farto material sonoro e bibliográfico. Produziu remixes para Otto, Andrea Marquee e Mawaca. Desenvolve o trabalho de improvisação eletrônica “livre” com o grupo de música experimental LCD, que tem um CD lançado, 20 minutes of free improvisation in São Paulo no The Bside Project (selo Testing Ground).


ARCHTECT


Daniel Mye / ARCHTECT, Germany

Architect is one of Daniel Myer's many side projects, albeit one that has become a much bigger part of his musical life in recent years as his fascination with drum and bass has evolved. Labeling Architect strictly as a drum and bass project, however, would be a gross disservice. This is more complex, a side project where drum and bass meets IDM in the middle.


HECQ


Ben Lukas Boysen / HECQ, Germany

Whether under his artist moniker Hecq or as in-demand sound designer for film and tv, Ben Lukas Boysen has made a career out of transforming unusual sounds into compelling music. We visited Ben in his studio for a fascinating look at how he gathered and transformed the unconventional audio material for his latest endeavour, The Forge - a hugely versatile Pack that's part of the exclusive sound content in the upcoming Ableton Live 9 Suite.

Since 2003, Ben Lukas Boysen is writing, producing and performing music, specializing in sounddesign and composition.
The focus of every project is to find an efficient and direct way to leave a strong emotional impact, whether it is the production of an album or the conception and completion of a commercial project.
The concept of investing a lot of thought and therefore making every production special rather than settling with something fast and convenient is the driving force behind every project as well as the thought that every score, commission, track, or remix should get the same amount of attention and detail. In short: moving away from music and sound as a product and perceive every project as a customizable and individual challenge.
A number of clients like Cartier, BMW, Leica, Greenpeace, Lacoste or MTV have made use of this approach for their commercials, websites and general sound concepts.

Also different conferences such as; OFFF, Flash On The Beach, BD4D, Production companies/studios invited HECQ Audio to discuss this in workshops and lectures.



..........................
Sound design is the process of specifying, acquiring, manipulating or generating audio elements. It is employed in a variety of disciplines including filmmaking, television production, theatre, sound recording and reproduction, live performance, sound art, post-production, and video game software development. Sound design most commonly involves the manipulation of previously composed or recorded audio, such as sound effects and dialogue. In some instances it may also involve the composition or manipulation of audio to create a desired effect or mood. A sound designer is one who practices the art of sound design.


25.7.13

Novo Painel de Alex Hornest no Museu do Trabalho - Porto Alegre - RS








A arte de ONESTO a.k.a. Alex Hornest
27 de junho de 2013
por Roger Lerina

Alex Hornest, artista paulistano também conhecido como Onesto, assina o recém concluído painel de grandes dimensões no Museu do Trabalho intitulado "Cicatrizando Pequenas Feridas". A obra está situada nos fundos da sede do Museu, no Centro Histórico de Porto Alegre. Aproveitando a vinda do pintor para o "Aproximação 2013", evento que reuniu artistas brasileiros de rua - que juntos grafitaram o muro que circunda a Fundação Pão dos Pobres - o Museu convidou o grafiteiro para realizar o mural.

Onesto é conhecido mundialmente como um dos grandes nomes da arte urbana internacional. Recentemente esteve em Rotterdam e Hong Kong onde deixou um de seus famosos personagens grafitado, participando como convidado do projeto Converse’s Wall to Wall. Em setembro participará de exposição coletiva em Frankfurt no museu SCHIRN KUNSTHALLE.

Essa não foi a primeira vez que Hornest e o Museu realizam um projeto em parceria: o painel que fica na parede do Hotel Marechal, na Rua Andrade Neves, executado por Alex em 2008, também foi resultado de uma ação conjunta, além de duas exposições individuais que o artista realizou na sala do Museu. Para a pintura do novo painel, o espaço contou com o apoio da Donuts - loja de material para graffiti que cedeu os sprays. Toda a ação foi documentada pelas lentes da fotógrafa Juliana Lima e até o final do ano será publicado um livro com esse material.

The Place Beyond the Pines (2012)


The Place Beyond the Pines (2012)

140 min - Crime | Drama
Director: Derek Cianfrance
Writers: Derek Cianfrance (story), Ben Coccio (story), 3 more credits »
Stars: Ryan Gosling, Craig Van Hook, Eva Mendes | See full cast and crew

A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.



"Sleeping Beauty" (2011)





"Sleeping Beauty" (2011)
101 min - Drama | Romance

Director: Julia Leigh
Writer: Julia Leigh (screenplay)
Stars: Bridgette Barrett, Rachael Blake, Emily Browning | See full cast and crew

A haunting portrait of Lucy, a young university student drawn into a mysterious hidden world of unspoken desires.



14.7.13

Programação do 27º Festival de Arte Cidade de Porto Alegre _ 2013


27º Festival de Arte Cidade de Porto Alegre _ 2013

De 15 a 19 de Julho de 2013


ABERTURA:
DIA 15 DE JULHO ÀS 19h, SAGUÃO DO CENTRO MUNICIPAL DE CULTURA LUPICÍNIO RODRIGUES.


Workshop
TURNO NOTURNO:
das 19h `as 22h
Instrutor: Alex Hornest - São Paulo/SP
Oficina: Animais de Concreto
Assunto: Escultura
Método: A partir de coleta e seleção de materiais descartados em vias públicas, próximo ao espaço expositivo/sala de aula, será elaborada uma figura escultórica, que represente uma espécie de animal.

INSCRIÇÕES:

De 8 `a 12 de JULHO de 2013

No Atelier Livre, nos seguintes horários:

Manhã: 9h às 12h; tarde: 14h às 18h; noite: 19h às 21h.

OBS: A efetivação da inscrição da atividade escolhida será mediante a apresentação no Atelier Livre do comprovante do depósito efetuado.


Informações:

TEl.: (51)3289-8057/3289-8058

· CURSOS: R$ 100,00 – duração: 15h
· CICLO DE PALESTRAS: R$ 50,00
· PALESTRA INDIVIDUAL: R$ 20,00

Obs.: Demais atividades, entrada gratuita.


Local de inscrições:
Atelier Livre
CENTRO MUNICIPAL DE CULTURA LUPICÍNIO RODRIGUES

Avenida Érico Veríssimo 307, Menino Deus - Porto Alegre - RS - Brasil





27.6.13

Yeah Yeah Yeahs



Yeah Yeah Yeahs _ Y Control

Length: 3:58
Genre: Alternative, Subgenre_alternative
Year: 2003
Director: Spike Jonze, Lance Acord
Composer: Nicholas Zinner, Brian Chase, Karen Orzolek
Label: Universal Music Group - North America

Yeah Yeah Yeahs are an American indie rock band formed in New York City in 2000. The group is composed of vocalist and pianist Karen O, guitarist and keyboardist Nick Zinner, and drummer Brian Chase.[2] They are complemented in live performances by second guitarist David Pajo, who joined as a touring member in 2009 and replaced Imaad Wasif who had previously held this role. According to an interview that aired during the ABC network's Live from Central Park SummerStage series, the band's name was taken from modern New York City vernacular.
The band has recorded four studio albums; the first, Fever to Tell, was released in 2003. The second, Show Your Bones, was released in 2006 and was named the second best album of the year by NME. Their third studio album, It's Blitz!, was released on March 31, 2009 in the US and on April 6, 2009 elsewhere. Their fourth album, Mosquito, was released on April 15, 2013.

Formation (2000–2002)
Karen O and Brian Chase first met as students at Oberlin College in Ohio in the late 1990s, where Chase was a jazz student at the conservatory. Karen then transferred to New York University, and while in New York met Zinner in a local bar, where they formed an "instant connection". During this time they also shared a loft with future members of the band Metric. The two formed an acoustic duo called "Unitard", but soon decided to "shake things up a bit" by forming a "trashy, punky, grimy" band modeled after the art student, avant-punk bands Karen O was exposed to at Oberlin. After the drummer they recruited initially bowed out, Chase joined the line-up.
The band wrote a slew of songs at their first rehearsal and soon wound up supporting The Strokes and The White Stripes, earning a significant buzz for their arty and garage punk scene. In late 2001, the Yeah Yeah Yeahs released their self-titled debut EP, which they recorded with Boss Hog's Jerry Teel, on their own Shifty label. Early the next year the band stepped into the international spotlight, appearing at South by Southwest, touring the U.S. with Girls Against Boys and Europe with Jon Spencer Blues Explosion, and headlining their own U.K. tour. Wichita Recordings distributed the group's EP in the U.K. and Touch and Go reissued it in the States.

Music style
Their style has been described as "an art-rock trio who made an edgy post-punk, dancefloor-friendly racket that mixed up Blondie with Siouxsie and the Banshees."

Esta Banda e o diretor deste clip são sem comentários.
Karen O... Falar o que dela?!?!?!?!
... tudo isso graças aos bons e velhos tempos de skateboard.

Gracias por relembrar Basta!

Genius Party & Genius Party Beyond _ Dimension Bomb



Dimension Bomb (2008)

Director: Koji Morimoto
Storyboard: Koji Morimoto
Music: Juno Reactor
Character Design: Koji Morimoto
Art Director: Marefumi Niibayashi
Animation Director: Koji Morimoto
Assistant Animation Director: Atsuko Fukushima
CGI監督: Takayuki Kusagi
Color design: Miyuki Itou
Animation and Production: Studio 4ºC

Key Animation:
Daisuke Tsumagari
Hideki Nagamachi
Hideoki Kusama
Jamie Vickers
Katsumi Matsuda
Kazuhiro Miwa
Manabu Akita
Masaru Kato
Masatsugu Arakawa
Miyako Yatsu
Motonobu Hori
Shou Sugai
Shoujirou Nishimi
Susumu Mitsunaka
Takaaki Hirayama
Takamasa Shibuya
Takayuki Hamada
Toshihiko Masuda
Toshiyuki Kanno
Usaku Myouchin
Ushio Tazawa
Yasuhiro Aoki
Yasuyuki Shimizu
Yumi Chiba
Yuuhei Ueda

The premise behind the Studio 4°C project Genius Party was simple: gather together the world’s most established and talented animation directors, provide them with a single connecting theme – the Spirit of Creativity – and give them carte blanche to interpret the brief in any manner they saw fit, without any restrictions on subject matter, running time or method of execution.
The directors involved in the anthology have been responsible for some of the most ground-breaking animated works of the past decades, including Perfect Blue, Akira, Steamboy, The Animatrix, Ghost in the Shell and Cowboy Bebop. The end result is an artful, eclectic and often haunting collection of musings on the very nature of creativity. Highly visceral, frequently challenging, occasionally perplexing and always imaginative, Genius Party functions as an unparalleled ode to the splendours of human creativity, and as a compendium of animation styles and directorial visions the present 4-disc box set may well be without rival.

Disc One of Genius Party comprises the following short films, or ‘impacts’:

1. Genius Party - Directed by Atsuko Fukushima (5:07)
2. Shanghai Dragon - Directed by Shoji Kawamori (18:40)
3. Deathtic 4 - Directed by Shinji Kimura (10:13)
4. Doorbell - Directed by Yoji Fukuyama (13:00)
5. Limit Cycle - Directed by Hideki Futamura (18:03)
6. Happy Machine - Directed by Masaaki Yuasa (14:25)
7. Baby Blue - Directed by Shinichiro Watanabe (14:04)

A second disc of Director Interviews rounds out the collection. The interviews follow the same sequence as the shorts themselves, and typically run between 10 and 20 minutes. The format varies for each, from straight-to-camera interviews to audio played over key pieces of animation, and Watanabe’s ‘interview for Baby Blue is actually more akin to a commentary track. Accompanying the principal director of each piece are CGI directors and other key creatives, and the interviews themselves are further augmented by the addition of rough cut and storyboard footage. Both the questions and the supplementary footage have been extremely well-chosen, and altogether provide a fascinating insight into the motivations and creative processes behind each piece.
The second instalment in the series, Genius Party Beyond, is also included, and brings the concept to a neat conclusion... for now. Beyond comprises an additional five short animated films from directors responsible for such diverse fare as MEMORIES (Koji Morimoto) and the animated sequences in Tarantino’s Kill Bill (Kazuto Nakazawa).

The full collection comprises:

1. Gala - Directed by Mahiro Maeda (13:59)
2. Moondrive - Directed by Kazuto Nakazawa (14:05)
3. Wanwa (The Doggy) - Directed by Shinya Ohira (12:58)
4. Toujin Kit - Directed by Tatsuyuki Tanaka (13:00)
5. Dimension Bomb - Directed by Koji Morimoto (19:02)

As was the case with the first instalment, a disc of director interviews has also been included. These follow the same loose format as those of Genius Party. The directors are asked for their thoughts on the finished works, describe the various techniques employed throughout, use rough cuts and alternate footage to further outline their visual style and describe what it was that initially drew them to the Genius Party project.

Also included in this double-digipack set is a 16-page booklet containing some arresting stills and a dual-language synopsis of each short. If the director profiles and production materials touted on the box cover are included then they are to found in the Japanese text; the English consists only of a brief and often intentionally ambiguous plot outline. This is perhaps as it should be, since the majority of the films defy easy description and the visceral viewing experience engendered throughout is not easily put into words.
Though both collections are eminently impressive, for my money Genius Party Beyond is the superior of the two. Each of the five films are similar in length, and though a multitude of animation styles are employed throughout they are markedly more cohesive thematically than the seven shorts of Genius Party, each of which was possessed of a more fragmentary, frequently surrealist stand-alone quality. The box set comprising the first two volumes isn’t entirely complete – upon initial release the Genius Party collection included as a bonus feature an additional seven short films chosen as part of Studio 4°C’s Next Genius contest, which are nowhere to be found here – but it is an excellent and truly moving anthology and a kaleidoscopic homage to everything that’s great about the animation genre. Definitely an essential purchase for anime fans, and those who like their creative output thought-provoking, refined and eminently imaginative. That means you!

Font: Impulse Gamer


Batman: Gotham Knight Ep 1 - Have I Got a Story For You

Já vi muita coisa estranha e maluca nesse incrível universo da animação mas nada se compara a esse insano, belo e totalmente estranho filme/curta metragem chamado "Dimension Bomb". Este anime de 2007/2008 é parte de uma série/coletânea intitulada Genius Party & Genius Party Beyond onde cada curta metragem é dirigido por um diretor diferente.
Desde tekkonkinkreet sou fã incondicional do Studio 4ºC que sempre me surpreende a cada nova/velha produção.
Deste mesmo studio vieram Animatrix, Batman: Gotham Knight e Noiseman Sound Insect.

Os animadores Japoneses são belissimamente loucos!!
Valeu Ethos!

Back to TOP