富士fujifilm finepix x100數碼相機
我像野犬般在街頭到處拍攝照片。
與其說攝影是記錄，毋寧說是記憶，
事物終會消失，但留下來的記憶，卻在生命中存有若遠若近的感受。
每張照片都是攝影者與被攝物共同完成的，加上照相機，就是3P了。
這世界是個墓地嗎？
我們是否還活著！
A propaganda em prol da arte.
Nunca ao contrário.
.............
The propaganda for the sake of art.
Never the opposite.
On the Streets of São Paulo
O pintor, escultor e artista de graffiti, Alex Hornest, também conhecido como Onesto, fala sobre sua trajetória artística, quando começou a fazer graffiti no início dos anos 90 pelas ruas de São Paulo, conta sobre suas influências e inspirações e fala sobre o graffiti em São Paulo.
Filme produzido para exposição fotográfica "On the Streets of São Paulo", organizada por sPbP movement, Budapeste, Hungria em junho de 2012.
produção:
SPBP MOVEMENT
edição e imagens:
MOLUSCO FILMES
colaboração:
ROTINA
realização:
3SPOTS - Collective registration of ideas
Alina Karnics (Budapest - Hungary)
Maitê Bueno e Murilo Romão (São Paulo - Brasil)
2012
photos: Nadya Lev, Lane Hartwell, Jeffrey Rusch and Mark Trammell
Professional Cellist Zoe Keating is the Avant Cellist.
In this film by Intel, we get to know Zoe and how, through her beautiful cello work intertwined with a foot pedal-controlled laptop, she creates worlds of feeling, motion, and life.
Avant-garde cellist Zoe Keating demonstrates her intricately layered compositions.
Using a computer, some 'janky code', a cello and her imagination, the classically trained musician shapes her music into something wonderful.
more: www.zoekeating.com
Música para os meus olhos e alimento para a minha alma!
Produzindo para o próxima exposição individual ao som desta incrível mulher, artista e mãe.
..................
Music to my eyes and nourishment for my soul!
Producing for the next solo exhibition at the sound of this amazing woman, artist and mother.
O'CLOCK _ 156
EARSNOT _ irak
KAUR _ eom
ADEK _ btm
ATEU _ pv
TWIST _ thr
ENO _ pv _ dem
NOIS
KOIO _ vlok
OSGEMEOS _ vlok _ thr
MUITO DO MESMO!
Os poucos que vejo são os que realmente gosto _ Parte II
Viva o vandalismo com tinta!!
100comedia _ Brasil
O clip de abertura contem a trilha sonora "Hora do role - Parte 2" produzida pelo MC CABES de Curitiba, que fala exclusivamente de pixação, contendo algumas aparições de pixadores que são citados na letra da musica.
Depois do sucesso em São Paulo dos DVDs "100Comédia" 1,2,3,4 chegou a hora de mostrar o que acontece nas ruas das cidades do Brasil a fora.
Essa primeira edição do DVD "100Comédia Brasil" mostra a cena da pixação em 5 capitais do Sul e do Sudeste: Curitiba (PR), Porto Alegre (RS), Belo Horizonte (MG), Rio de Janeiro (RJ), São Paulo (SP).
Alem de cenas de "ações" de tirar o fôlego o vídeo "100Comédia Brasil" mostra a adversidade nos estilos de letras (caligrafias) e técnicas (táticas) de apropriações de espaços típicas de cada estado.
Todas as imagens foram capitadas no ano de 2011 e os registros contam com participações de grandes nomes da pixação Brasileira. Cenas das ações noturnas são um espetáculo a parte contendo clipes que mostram como a pixação se apropria das paisagens urbanas das grandes cidades.
Direção: Cripta Djan
Produção: Fundão Z/O Produções
Edição: Tony (Z/L STUDIO)
Fotos Still: Leandro Mantovani
Clipe de abertura: William Sernagiotto (VDA)
Um pouco de vandalismo, ousadia, atitude, criatividade e rebeldia não fazem mal a ninguém...
Ainda mais quando é feito por "quem faz" o que gosta de verdade.
Sidera Devorare / Bruno 9li, 2012 / acrílica sobre tela / 173X258cm
No dia 8 de maio a LOGO inaugura a exposição Lux Tenebris, de Bruno 9li (pronuncia-se Novelli), um dia antes da abertura da feira SP-Arte, onde a galeria e o artista também estarão presentes. Ocupando a totalidade do espaço expositivo da LOGO, 9li apresenta sua própria origem de universo através de 12 pinturas sobre tela e duas esculturas em látex e resina.
Bruno 9li explora referências e técnicas da pintura gótica associadas a uma investigação de conceitos da física quântica e da astrofísica contemporâneas. Em Lux Tenebris a matéria se revela em varias dimensões, gerando polaridades e dinâmicas. Mesmo estático, o novo corpo de obras evoca movimentos e sons que são, em parte, orientados pelo trabalho anterior do artista em vídeo, agora emulado pela pintura.
Artista formado pela Universidade Autoindicada por Entidades Livres, Bruno 9li é natural de Fortaleza, cresceu e iniciou sua carreira em Porto Alegre e atualmente vive em São Paulo. Fez sua primeira individual na capital gaúcha em 2006, que foi seguida por exposições em países como Argentina, Inglaterra, Dinamarca, Espanha, Japão e Estados Unidos. Em novembro, ainda nesse ano, o trabalho de 9li poderá ser visto no MAC Dragão do Mar, em Fortaleza, em sua primeira individual de museu.
Lux Tenebris - Bruno 9li
Abertura 8 de maio, a partir das 17h
visitação de 9 de maio a 2 de junho
de terça a sábado, das 11h às 19h
galeria LOGO
rua Artur de Azevedo, 401
Jardim Paulista
São Paulo, Brasil
tel 55 11 3062 2381
www.galerialogo.com
Doris Salcedo (born 1958) is a Colombian-born sculptor. Salcedo completed a Bachelor of Fine Arts at the Universidad Jorge Tadeo Lozano in 1980, before traveling to New York, where she completed a Master of Fine Arts degree at New York University. She then returned to Bogotá to teach at the Universidad Nacional de Colombia. Her work is influenced by her experiences of life in Colombia, and is generally composed of items of furniture.
Doris Salcedo is the eighth artist to have been commissioned to produce work for the turbine hall of the Tate Modern gallery in London. Her piece, Shibboleth (2007), is a 167-metre-long crack in the hall's floor that Salcedo says "represents borders, the experience of immigrants, the experience of segregation, the experience of racial hatred. It is the experience of a Third World person coming into the heart of Europe".
Doris Salcedo addresses the question of forgetting and memory in her installation artwork. In pieces such as Unland: The Orphan’s Tunic from 1997 and the La Casa Viuda series from the early 1990s, Salcedo takes ordinary household items, such as a chair and table, and transforms them into memorials for victims of the Civil War in Colombia.
In his book Present Pasts: Present Pasts: Urban Palimpsests and the Politics of Memory, Andreas Huyssen dedicates a chapter to Doris Salcedo and Unland: The Orphan’s Tunic, presenting her work as “Memory Sculpture.” Huyssen offers a detailed description of the piece, a seemingly mundane table that, when considered closely, “captures the viewer’s imagination in its unexpected, haunting visual and material presence.”[4] A seemingly everyday piece of furniture is in fact made of two destroyed tables joined together and covered with a whitish veil of fabric, presumably the orphan’s original tunic. Upon even closer inspection, hundreds of small human hairs appear to be the thread that is attaching the tunic to the table. Huyssen equates the structure of the tables to the body. “If the tunic is like a skin…then the table gains a metaphoric presence as body, not now of an individual orphan but an orphaned community.” Salcedo’s Unland is a memory sculpture, presenting the past of her own country of Colombia to the international art audience.
During a conversation with Carlos Basualdo, Salcedo discusses her own approach to producing art:
“The way that an artwork brings materials together is incredibly powerful. Sculpture is its materiality. I work with materials that are already charged with significance, with meaning they have required in the practice of everyday life…then, I work to the point where it becomes something else, where metamorphosis is reached.”
Again, in a 1998 interview with Charles Merewether, Salcedo expounds upon this notion of the metamorphosis, describing the experience of the viewer with her own artistic repair or restoration of the past.
“The silent contemplation of each viewer permits the life seen in the work to reappear. Change takes place, as if the experience of the victim were reaching out…The sculpture presents the experience as something present- a reality that resounds within the silence of each human being that gazes upon it.”
Salcedo employs objects from the past, objects imbued with an important sense of history and, through these contemporary memory sculptures, illustrates the flow of time. She joins the past and the present, repairs what she sees as incomplete and, in the eyes of Huyssen, presents “memory at the edge of an abyss…memory in the literal sense…and memory as process .”
Jenny Saville works and lives in Oxford, England. Saville went to the Lilley and Stone School (now The Grove Specialist Science College), Newark Notts for her secondary education, later gaining her degree at Glasgow School of Art (1988–1992), and was then awarded a six month scholarship to the University of Cincinnati, where she states that she saw "Lots of big women. Big white flesh in shorts and T-shirts. It was good to see because they had the physicality that I was interested in". A physicality that she partially credits to Pablo Picasso, an artist that she sees as a painter that made subjects as if "they were solidly there....not fleeting".
She studied at the Slade School Of Fine Art between 1992 and 1993. At the end of her postgraduate education, the leading British art collector, Charles Saatchi, purchased her entire senior show. He offered the artist an 18-month contract, supporting her while she created new works to be exhibited in the Saatchi Gallery in London. Rising quickly to great critical and public recognition in part through Saatchi’s patronage, Saville has been lauded for creating conceptual art through the use of a classical standard -- figure painting. Although Saville’s chosen method is quite traditional and seemingly outmoded, she has found a way to reinvent figure painting and regain its prominent position in the context of art history.Known primarily for her large-scale paintings of nude women, Saville has also emerged as a major contemporary artist and leading figure of the Young British Artists (YBA). Her blatantly feminist subject matter, of obese and sometimes faceless women with vast bodies, partly originates from a trip to America. It was while studying at Cincinnati University in Ohio, that Saville’s lifelong fascination with the workings of the human body began to affect her artwork. Much of her work features distorted flesh, high caliber brush strokes and patches of oil color, while others reveal the surgeon’s mark of a plastic surgery operation. In 1994, Saville spent many hours observing plastic surgery operations in New York.
Saville has dedicated her career to traditional figurative oil painting. Her painterly style has been compared to that of Lucian Freud and Rubens.[says who?] Her paintings are usually much larger than life size. They are strongly pigmented and give a highly sensual impression of the surface of the skin as well as the mass of the body. She sometimes adds marks onto the body, such as white "target" rings.
Since her debut in 1992, Saville's focus has remained on the female body, slightly deviating into subjects with "floating or indeterminant gender," painting large scale paintings of transgender people. Her published sketches and documents include surgical photographs of liposuction, trauma victims, deformity correction, disease states and transgender patients.
Вечный Огонь (or Eternal Flame in English) is the name of an spectacular urban art installation in Yekaterinburg, Russia. To remind of fallen Soviet soldiers during World War II, an artist group burned the soldiers faces on wooden panels using Molotov Cocktails. The results are just great and are now part of an abandoned hospital.
It’s amazing to see, how weapons can be used in a unusual way to create art.
The roughness, flames and burned faces are probably the best solution to visualise brutal war, for what reason these unique Molotov Cocktail artworks are in my eyes a good way to commemorate…
Via urban art core
Radya made these impressive portraits of fallen Russian WWII soldiers. The faces were made of bandages on wooden boards and were then burned to create this particular look. Afterwards, the portraits were put up on the walls of an abandoned WWII hospital in Yekaterinburg, Russia.
Via today and tomorrow
A film crew follows two serial killers documenting their exploits.
Directed by Shia LaBeouf
Starring Scott Mescudi & Chris Palko
Music & Score by Scott Mescudi & Dot Da Genius
A Grassy Slope & Ragin4Dayz Production in Association with Dilated Pixels
Executive Produced by Scott Mescudi & Shia LaBeouf
Produced by Jeff Balis, T.J. Sakasegawa, Rhoades Rader
Um dos melhores curtas metragens dos últimos tempos!
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One of the best short films of recent times!
KONY 2012
by INVISIBLE CHILDREN
JOSEPH KONY IS ONE OF THE WORLD’S WORST WAR CRIMINALS AND I SUPPORT THE INTERNATIONAL EFFORT TO ARREST HIM, DISARM THE LRA AND BRING THE CHILD SOLDIERS HOME.
MILLIONS OF PEOPLE WORLDWIDE NOW KNOW ABOUT JOSEPH KONY'S CRIMES. BUT IF WE WANT TO SEE KONY BROUGHT TO JUSTICE AND LRA VIOLENCE FINALLY ENDED, WE CAN'T STOP AT AWARENESS. IT'S TIME TO CHANNEL OUR VOICES INTO WASHINGTON AND DEMAND THAT OUR LEADERS TAKE NEEDED ACTION THAT CAN HELP END LRA VIOLENCE ONCE AND FOR ALL.
To see real time reports on LRA activity in the D.R.Congo, Central African Republic and South Sudan visit: LRA Crisis Tracker
DIRECTOR: Jason Russell LEAD EDITOR: Kathryn Lang EDITORS: Kevin Trout, Jay Salbert, Jesse Eslinger LEAD ANIMATOR: Chad Clendinen ANIMATOR: Jesse Eslinger 3-D MODELING: Victor Soto VISUAL EFFECTS: Chris Hop WRITERS: Jason Russell, Jedidiah Jenkins, Kathryn Lang, Danica Russell, Ben Keesey, Azy Groth PRODUCERS: Kimmy Vandivort, Heather Longerbeam, Chad Clendinen, Noelle Jouglet ORIGINAL SCORES: Joel P. West SOUND MIX: Stephen Grubbs, Mark Friedgen, Smart Post Sound COLOR: Damian Pelphrey, Company 3 CINEMATOGRAPHY: Jason Russell, Bobby Bailey, Laren Poole, Gavin Kelly, Chad Clendinen, Kevin Trout, Jay Salbert, Shannon Lynch PRODUCTION ASSISTANT: Jaime Landsverk LEAD DESIGNER: Tyler Fordham DESIGNERS: Chadwick Gantes, Stephen Witmer
MUSIC CREDIT:
Original Instrumental Scores by Joel P. West joelpwest.com/
“02 Ghosts I” Performed by Nine Inch Nails, Written by Atticus Ross and Trent Reznor, Produced by Alan Moulder, Atticus Ross, and Trent Reznor, Nine Inch Nails appear courtesy of The Null Corporation
“Punching in a Dream”, Performed by The Naked and Famous, Written by Aaron Short, Alisa Xayalith, and Thom Powers, Produced by Thom Powers, The Naked and Famous appear courtesy of Somewhat Damaged and Universal Republic
“Arrival of the Birds”, Performed by The Cinematic Orchestra, Written by The Cinematic Orchestra, Produced by The Cinematic Orchestra, The Cinematic Orchestra appears courtesy of Disney Records
“Roll Away Your Stone”, Performed by Mumford and Sons, Written by Benjamin Lovett, Edward Dwane, Marcus Mumford, and Winston Marshall, Produced by Markus Dravs, Mumford and Sons appear courtesy of Glassnote Entertainment Group LLC
“On (Instrumental)”, Performed by Bloc Party
Written by Bloc Party, Produced by Jacknife Lee, Bloc Party appears courtesy of Vice Records
“A Dream within a Dream”, Performed by The Glitch Mob, The Glitch Mob appears courtesy of Glass Air
“I Can’t Stop”, Performed by Flux Pavilion, Flux Pavilion appears courtesy of Circus Records Limited
Quando um problema se beneficia da "invisibilidade" a melhor forma de acabar com ele é o tornando público.
Obrigado OSGEMEOS e todos os outros artistas por ajudar a divulgar isto.
.....................
When a problem takes advantage of the "invisibility" the best way to stop it is becoming public.
Thanks OSGEMEOS and another artists for helping to show this.
"3 Misses" (1998) by Paul Driessen
Paul Driessen (born 1940) is a Dutch film director, animator and writer. His short films have won more than fifty prizes all over the world, including the Life Achievement Awards at both Ottawa and Zagreb animation festivals, and an Academy Award nomination for "3 misses". His films: 3 Misses and 2D or Not 2D were included in the Animation Show of Shows.
After studying graphic design and illustration at the Art Academy in Utrecht, Driessen began animating TV-commercials in Holland in the 1960, although he had no training in that art at all. When George Dunning, in search for talent, found Driessen at the Cine Cartoon Centre in Hilversum, he hired him as an animator for his feature animation film Yellow Submarine (1968). He also helped Driessen to emigrate to Canada where he became a member of the National Film Board of Canada in 1972.
Driessen's unique style can be easily recognised by the delicate quality of his ever-moving and wiggling lines, as well as by the fluid but awkward movements of his characters. His storytelling sometimes splits up the screen into three or even six different parts, with all actions nicely woven into each other.
In the 1980s Driessen taught animation at the University of Kassel, Germany, after Jan Lenica. Two of his student's films, "Balance" by Christoph and Wolfgang Lauenstein, and Quest (short film) by Tyron Montgomery and Thomas Stellmach, won Academy Awards.
At the Ends of the Earth" (1999) by Konstantin Bronzit
Konstantin Eduardovich Bronzit (b. April 12, 1965 in Leningrad) is a Russian animator and animation film director.
He is a graduate of the St. Petersburg Repin Institute of Fine Art in 1983. He worked as an artist-animator at the animated film studio Lennauchfilm (Studio of Popular Science Films), which created educational animations. It was there that he completed his first film, Merry-Go-Round or The Round-About (Карусель, Karusel), in 1988.
In 1992, he graduated from the V. Mukhina Leningrad Higher Art and Industrial Academy and in 1994 from the "Higher Courses in Scriptwriting and Directing in Moscow" under the tutorship of Fyodor Khitruk.
From 1993-1995 he worked as a scriptwriter, director and animator at the Moscow Animation Studio "Pilot", where he created several short films. From 1996-1999 he worked at the studio Pozitiv TV. In 1999 he completed his short film At the Ends of the Earth, which was aggressively pushed around the film festival circuit by the French distributor Folimage, eventually gathering nearly 70 awards.[1]
Since 1999 he has worked at Melnitsa Animation Studio, where he served as art director in the projects Adventures in Emerald City (1999–2000) and Little Longnose (2003).
In 2004 he served as the director of the animated feature film Alosha. According to Bronzit, the very short timeframe (only a year was given to them to complete the film) forced him to write the script at the same time as the film was being animated. The film was a success in Russia, and spawned another two films by different directors in the same vein.
His 2007 short film Lavatory Lovestory won the Best Scenario Award at the 12th Open Russian Festival of Animated Film and got the 3rd-best rating among the jury and is nominated for an Academy Award for Animated Short Film in 2009. His film, At The Ends Of The Earth, was included in the Animation Show of Shows.
"Britannia" (1994) by Joanna Quinn
Joanna Quinn is an English film director and animator. She was born in Birmingham. She was nominated for an Academy Award for Famous Fred in 1998.
Quinn attended Middlesex Polytechnic. Her student film Girls Night Out was completed in 1987 and won 3 awards at the Annecy Film Festival. It was also included in the Animation Show of Shows.
Her commercials for Charmin toilet paper and Whiskas cat food feature her distinctive drawing style, always rendered on paper or cel.
Quinn's 2006 film "Dreams and Desires-Family Ties" has won 14 international prizes, including the 2006 Cartoon d'or.
Esses três animadores independentes são alguns (entre muitos) dos responsáveis por despertar a paixão e o desejo que tenho de produzir curtas de animação.
E depois pra ajudar, conheci esse cidadão...
.....................
These three independent animators are some (among many) of those responsible for awakening the passion and desire I have to produce animated shorts films.
And then to help, I knew that citizen...
Dirty Water - UNICEF
E se as campanhas publicitárias não fossem apenas para incentivar o consumo?
.....................
And if the campaigns were not only to encourage consumption?
The video for "Time Won't Tell" is inspired by a childhood memory of director Shan Nicholson, who grew up in the "Old New York" during a time when necessity often bred creativity.
This video depicts a young boy innocently finding a way to embrace his imagination amid an urban wasteland.
Defino as composições do El-P como "trilhas sonoras do CAOS". Pura inspiração!
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Define the compositions of El-P as "soundtracks CHAOS." Pure inspiration!
Meu maior inimigo é o meu melhor AMIGO.
Quem diria...
.....................
My greatest enemy is my best friend.
Who would...
4ª edição do ATELIER ABERTO _ RAMON e RIMON
Escola Guignard - UEMG
Rua Ascânio Burlamarques, 540 - Mangabeiras - Belo Horizonte - MG
Fone: 031 3194-9310
O programa, que acontece durante o período de 08 de fevereiro a 03 de março, promove o encontro entre os artistas, que convivendo e dividindo o espaço da galeria, transforma-o em ateliê, local de experimentação e troca de experiências. Para além de um programa expositivo, o Atelier Aberto instaura um ambiente de trabalho aberto também ao diálogo e ao convívio com estudantes de arte, professores, arte-educadores, artistas e críticos, que nesse período podem acompanhar o processos do trabalho e frequentar o atelier, além de promover no decorrer do período bate-papos e conversas com artistas e convidados. Como resultado final do período, os artistas apresentarão parte do trabalho ali desenvolvido, assim como outras produções recentes.
O projeto foca todas as etapas do processo de criação e instaura um lugar para a vivência de processos criativos compartilhados entre os artistas e aqueles que frequentam o espaço. Dessa maneira torna-se também um estímulo para produção e colabora com o estabelecimento de novos olhares que ampliam a reflexão acerca da produção recente em arte contemporânea.
A vivência dos artistas na 4ª edição do ATELIER ABERTO foi registrada neste blog e pode ser acompanhada por aqui.
O projeto é coordenado pelo professor e diretor Benedikt Wiertz, com curadoria da professora Janaína Melo.
Sobre os artistas:
Rimon Guimarães (Curitiba 1988) é artista autodidata e segue sua pesquisa de forma vivencial se adaptando ao contexto das cidades onde expõe. Explora mídias como desenho, performance, vídeo, música, pintura e arte pública. Exposições recentes: "Maré Plena"(individual) Porto Alegre 2011, "Art Trek" (coletiva) Antuérpia/Bélgica 2010, "Laboratório Objeto Escarlate" (individual) São Paulo 2010. Na exposição coletiva “Cartografias Cotidianas” Casa de Cultura da UEL Londrina 2011 fez uma instalação onde a pintura extrapolava a dimensões do suporte e seguia sobre as paredes da galeria. Em "Lavabo Estufa" ocupou um banheiro plantando nos vasos sanitários. Na individual "Descalzo", em Buenos Aires 2011, expôs 7 pinturas em grande formato e preparou uma sopa de legumes e suco de laranja com a ajuda dos visitantes. Membro do Coletivo Interlux Arte Livre.
Ramon Martins, ex-aluno da Escola Guignard, funde a experimentação do estúdio com a energia da rua. Faz graffiti, performance, instalações, esculturas, sitio especifico e pintura em telas. É nesse ofício, a pintura, que sintetiza seu estilo fluido, cheio de misturas e técnicas. Ramon Martins explora a técnica do estêncil, herdada do graffiti, passeia pela tinta acrílica, aquarela e têmpera, com grande repertório pictórico. Sua obra revela sensualidade, um acento pop-psicodélico, com influência de arte africana e indiana. Sua obra está representada em coleções institucionais brasileiras importantes, incluindo o Museu MAM-RJ de Arte Moderna, RJ / BR e MASP Museu de Arte de São Paulo, SP / BR. Ele apresentou seu trabalho em murais e exposições no Brasil e na Europa. Exposições recentes: “Transfer” – Pavilhão das Culturas Brasileiras, Parque do Ibirapuera – Sao Paulo, SP/ BR; “Mon Ra” – Solo Show at Galerie Geraldine Zberro – PAR/FR; “De Dentro Para Fora De Fora Para Dentro” MASP Museum of Art Sao Paulo & Galeria Choque Cultural, SP/BR; “R.U.A Festival – mural painting “Love Spreads”, RTDM/NL; “Rotterdam Carnival” – Painting on Angola’s Allegoric Car, RTDM/NE; “A Forca da Rua” (The Strengh of the Street) – ABC Trust Auction – LDN/UK; “O Encontro”, Ano da França no Brasil - Centro de Cultura Renato Russo, BSB- DF /BR; “Graffiti Etat Des Lieux” - Galerie du Jour/Agnès B, PAR/FR; “Morreu de Amor” – Solo Show na Galerie Geraldine Zberro, PAR/FR.
Quem conhece bem essas duas figuras (Ramon Martins & Rimon Guimarães) pelas imagens acima consegue imaginar bem o que eles
aprontaram e o quanto se divertiram nessa residência.
Parabens garoutos!!
Since 2001, French Canadian artist Steven Spazuk has been working with a technique he developed that allows him to use a flame from a candle or torch to create his paintings with the trails of soot that remain. He then uses tools to manipulate the soot left behind on the thick paper to develop breathtaking images. His work, which is mostly monochromatic, evolves as he is working and he allows the images to emerge naturally.
He was a regular painter working with acrylic paint and collage before he began “playing with fire.” Over the years, he has perfected his technique and his work, especially the portraits, which are simply stunning.
Rivers and Tides: Andy Goldsworthy Working with Time (2001)
90 min - Documentary
Director: Thomas Riedelsheimer
Documentarian Thomas Riedelsheimer shows us Andy Goldsworthy as he creates art in natural settings using natural materials such as driftwood, ice, mud, leaves, and stones. Goldsworthy comments on his “earthworks” and occasionally responds to off screen questions from Riedelsheimer while he painstakingly builds his outdoors sculptures. With some exceptions, such as a winding stone wall that he built in Mountainville, NY, Goldsworthy’s creations are intentionally mutable works.
We see how several of them fall apart, melt, or drift away due to exposure to the elements; we also see, for example, a complex structure of interconnected sticks collapse while Goldsworthy is still working on it.
Riedelsheimer takes us to Goldsworthy’s home in Penport, Scotland, and to a French museum, but the emphasis of the film is on observing Goldsworthy at work.
No livro ONESTO - ed. Zupi - eu disse a seguinte frase: "Não tem dinheiro para comprar pincel pinta com o dedo."
Por essa e outras coisas algumas pessoas me acham sistemático e certamente não conhecem bem o meu trabalho
ou o de artistas como Andy Goldsworthy.
Se expressar se conectando com o seu entorno realmente não é para todos...
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